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The labyrinth is enjoying
a resurgence in interest and popularity as people seek to reinvolve themselves
in ritual activity that brings meaning and purpose to their lives. Labyrinth
patterns have been meaningful throughout human history, in all ages and
on all continents
In April of 1999,
we offered a program called Journeying the Labyrinth, for people
to participate in the construction of a labyrinth at Indralaya while learning
about its meaning and history. About 25 people were led by Diana March,
a dedicated student of labyrinths who had been involved in the construction
of two full size labyrinth in the Chicago area. She is the past manager
of the Quest Bookshop at the headquarters of the Theosophical Society
in America in Wheaton, Illinois.
A classical
seven circuit Cretan labyrinth was chosen for Indralaya and a suitable
location was found on the east side of the main lodge. Once
the center and the entrance of the labyrinth were determined, the measurements
were laid out with dowels, string, measuring tape, and chalk. Then each
person picked up a stone and piece of driftwood from the surrounding landscape.
As they walked into the labyrinth in silence, they placed their item on
the chalk wall lines and the labyrinth gradually came to life.

That evening everyone
in the group pooled their ideas together to create a blessing ritual for
the labyrinth. The next day they all gathered by the front of the lodge
and softly hummed a tune that Minor, the camp manager, had composed based
on tones ascribed to each of the seven circuits of the labyrinth. While
humming, each person was smudged with cedar gathered from camp. Then the
group proceeded silently to the labyrinth, encircling it in single file,
with the oldest person, 70 years old, leading the way, and the youngest
person, 12 years old, closing the circle. The
labyrinth was cleared with a call to the 4 directions and the blessing
began.
Minor played the
seven circuit tune on his recorder that had been hummed, then the group
sang three rounds of the words that he and his wife Leonie had composed
for the tune:
"Let
there be peace, beauty and love,
 Blessing
and grace, here in this place."
After
this expression of intention and blessing through song, Minor, welcomed
the labyrinth to Indralaya. Diana, the program leader, spoke about labyrinths
in other parts of the world and how they can be connected to each other.
In her blessing, she linked the Indralaya labyrinth to the one at the
Theosophical Society in Wheaton, Illinois.
Then,
the oldest person carried a large white candle into the center of the
labyrinth where it was lit. Each person followed, walking into the labyrinth
with an item that had special meaning for them from the landscape of Indralaya
or nature, and placed it in the center of the labyrinth. A beautiful altar
was created with ferns, rocks, feathers, nests, shells, cones, grains,
flowers, and water, to represent all of our relations at Indralaya.

After
walking into the center each person went back to the outside of the labyrinth
to form another circle. When the last person had come out of the labyrinth,
a final blessing was given and the group proceeded out, singing the seven
circuit song back up to the lodge, where the celebration continued with
a festive meal prepared for the occasion.
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